•    How can I contact you?
~    I am happy to be contacted privately via my Instagram channel where messages will reach me directly (@torilongdon). Alternatively, to submit a more formal enquiry, please complete the contact form here.

•    Who can book a visit?
~    Anyone! The best collaborations are ones that start from a personal invitation. I love working in different places all across the world, so I am open to all approaches. Get in touch via my contact form here.

•    Are all your events public?
~    Many of my masterclasses and workshops are booked by private organisations and aren't open to the public. For details of public events, sign up to the mailing list, and check out WorldChoir.org and Forgeconducting.com

•    Does you conduct orchestras as well as choirs?
~    Yes! Much of my work involves working with instrumental ensembles as well as choirs. I’ve been lucky to have the opportunity to conduct Beethoven, Mahler and Vaughan Williams with large-scale symphony orchestras, alongside a regular diet of baroque oratorio, and some larger-scale choral symphonic works such as Vaughan Williams' A Sea Symphony, Stravinsky's Symphony of Psalms, and Lili Boulanger's Vielle Priere Bouddhique. Click here to see some recorded performances.

      
•    What repertoire do you specialise in?
~   I cut my teeth on Baroque choral-orchestral repertoire like Bach, Handel and Haydn. I still love returning to these musical jewels and frequently work with baroque instrumental ensembles with period instruments to bring them to life. I work with a lot of contemporary choral repertoire, e.g. Alec Roth, Christopher Tin, Elaine Hagenberg, Cecilia McDowall and Jonathan Dove. I am also a strong believer in commissioning new works and have worked most recently with British composer Lillie Harris to commission a piece in Anglo-Saxon for choir and solo saxophone which was premiered by the Covent Garden Chorus and Saxophonist Christian Forshaw.